Watched Journal: July 2023

 

What I watched in July.


7-8: Tom Segura: Sledgehammer [Netflix]

7-10: Love unto Wastes [Criterion]

7-13: The U.S. and the Holocaust [PBS]

7-14: Mission: Impossible - Dead Reckoning Part One [AMC Madison Yards]

7-17: Johnny Mnemonic [Criterion], The Terminator [VHS]

7-19: Hand of Death (1976, John Woo) [Arrow Blu-ray]

7-29: Don’t Bother to Knock (1952, Roy Ward Baker) [Criterion], Negative Two [Criterion]

7-21: Colors (1988, Dennis Hopper) [Prime] 

7-22: Rock Hudson: All That Heaven Allowed [Max]

7-24: Russia 1985-1999: TraumaZone [YouTube]

7-25: Phoenix (1998, Danny Cannon) [Tubi]

7-26: It Always Rains on Sunday [Criterion]

7-28: Parasite (B&W version) [Criterion]

7-29: Rich and Famous [Eureka Blu-ray], Tragic Hero [Eureka Blu-ray], Synecdoche, New York [Criterion]

7-30 Barbie [AMC Madison Yards], Nothing Compares [Showtime], Hustle (1975, Robert Aldrich) [KL Blu-ray]

7-31: Alice Doesn’t Live Here Anymore [Criterion]

Comments

Post a Comment

Popular posts from this blog

Family Plot: Jordan Peele's "Get Out" (2017)

Image
Following the "whitelash" election of Donald Trump to the Oval Office last November, Jordan Peele's timely directorial debut Get Out emerges as a winking, cunning comedy-thriller satire that roasts identity politics and race relations in the age of this neu-American nightmare that is the Trump administration. The film's plot and twists have been widely spelled out in the trailer: black boyfriend goes away for the weekend with this white girlfriend to meet the parents in the country, but something is not quite right and it becomes Guess Who's Coming To Dinner meets The 'Burbs . It has recently been revealed that face-punched white nationalist Richard Spencer comes from a wealthy family of cotton farmers whose old money originates from the Jim Crow south ; Spencer is an open racist but Get Out critiques something more frightening, the hidden agendas of the limousine liberal sect -- those who use terms such as "super-predators" and have "p...
Read more

The Dream is Always the Same: From Tom Cruise in "Risky Business" to Timothee Chalamet in "Call Me by Your Name"

Image
Tangerine Dream's sultry synths pulse in the background as the camera zooms out from twinky Tom Cruise's wayfarers, a slim cigarette dangling from his lips as he flashes back to a reoccurring dream of sneaking into the neighbor's house and stumbling upon a beautiful girl showering, she invites him to wash her back, but the steam obscures his reach for her until he finds himself transported to a classroom, three hours late for the college entrance exams. With the aforementioned opening scene following the moody neon pastel credits as a night train rolls through a gritty Chicago twilight, we are introduced to Joel Goodson and for the most part, Tom Cruise, in Paul Brickman's 1983 classic Risky Business . The film was a breakout for Cruise, who some 35 years later has both delivered and disappointed on the potential of his brilliant performance in this early movie. Cruise can act and when he truly slips into character, as he did when portraying the innocent "Good...
Read more